Directing and writing credits:
Written by Daniel Palladino, directed by Michael Katleman. As a director, I hate him, but as a writer, Daniel Palladino is pretty solid. He's actually penned some of my all-time favorite episodes:
* "The Bracebridge Dinner" - Season 2, Episode 10
* "Lorelai&
Vibe:
Absurd in the best kind of way. About twenty minutes in, my boyfriend turned to me and asked, "what is this?" I couldn't answer because I truly had no idea. It's as stylized as a Wes Anderson film, as strange as David Lynch,
Directing and writing credits:
Written by Jed Seidel, directed by Alan Myerson. "Veronica Mars" fans might know Jed Seidel, who was responsible for three episodes: "Weapons of Class Destruction," "Silence of the Lamb," and "Meet John Smith." The standout for me is
Directing and writing credits:
Written by ASP, directed by Arlene Sanford. Arlene is another veteran who has directed a shit ton of tv ("Pretty Little Liars," "Grace and Frankie," "Ally McBeal"). I'm always immensely impressed by directors like Arlene who are able
Welcome to my "Gilmore Girls" rewatch project! Whenever I was bored out of my skull at my previous job, I used to look forward to reading Meredith Borders's "GG" recaps over at Forever Young Adult every Wednesday morning. Knowing that I could walk into
Vibe:
Soft, gentle, and kind... until it knocks you down on the ground and guts you like a fish. If you let it, this film will emotionally crush you and leave you silently crying in bed, trying not to wake your partner.
If you can avoid it, don't
Vibe:
The world is a shitty, gruesome place filled with shitty, gruesome people.
The loss of virginity isn't a magical, special act that happens between two people who love each other. It's not Marissa and Ryan, Chuck and Blair, Jane and Michael. It's often
A few months back, Laura sent me her short vampire film, "Upír," and I was blown away. Since she's a young female filmmaker and deals with many common industry struggles, I thought it would be nice to do an interview with her on the ins-and-outs of
Vibe:
Charming, joyful, and engaging. If this film ended after the scene of Val (Regina Casé) finally splashing around in the pool, I would sing its praises completely; however, it takes a weird detour that doesn't seem to fit with the tone or narrative style. The ending ties
Vibe:
Hysterically funny. I grew up watching Charlie Chaplin, W.C. Fields, and the Marx Brothers, so I knew this film would be right up my alley. Elaine May is a master of physical comedy and I laughed for at least five minutes during the scene where she was stuck
Vibe:
I won't sugarcoat it: this film is incredibly depressing. If I had worse parents, I might be in a position similar to Wanda's right now. Thankfully, Jim & Joni Pugh encouraged me to get the fuck out of my sad hometown and do what makes
Vibe:
Unsettling and difficult to categorize. "Raw" exists outside of reality in a "Twin Peaks" Season One kind of way. To enjoy it, you must completely suspend your disbelief and succumb to Julia Ducournau's fucked up, gloomy, alcohol-fueled world.
You might find yourself running
